<?xml version='1.0' encoding='utf-8' ?>

<rss version='2.0' xmlns:lj='http://www.livejournal.org/rss/lj/1.0/' xmlns:atom10='http://www.w3.org/2005/Atom'>
<channel>
  <title>▼</title>
  <link>https://toiida.dreamwidth.org/</link>
  <description>▼ - Dreamwidth Studios</description>
  <lastBuildDate>Tue, 21 Dec 2021 23:37:05 GMT</lastBuildDate>
  <generator>LiveJournal / Dreamwidth Studios</generator>
  <lj:journal>toiida</lj:journal>
  <lj:journaltype>personal</lj:journaltype>
  <image>
    <url>https://v2.dreamwidth.org/18017670/2846880</url>
    <title>▼</title>
    <link>https://toiida.dreamwidth.org/</link>
    <width>100</width>
    <height>100</height>
  </image>

<item>
  <guid isPermaLink='true'>https://toiida.dreamwidth.org/1093739.html</guid>
  <pubDate>Tue, 21 Dec 2021 23:37:05 GMT</pubDate>
  <title>Аника Йи, «Влюбиться в мир»</title>
  <link>https://toiida.dreamwidth.org/1093739.html</link>
  <description>с 12 октября 2021 г. по 16 января 2022 г., «Тейт Модерн»&lt;br /&gt;&lt;br /&gt;Моя реакция на &lt;a href=&quot;https://www.tate.org.uk/whats-on/tate-modern/exhibition/hyundai-commission-anicka-yi&quot; target=&quot;_self&quot; title=&quot;Anicka Yi. In Love With The World — Tate (все тексты к выставке я взял отсюда)&quot;&gt;персональную выставку корейско-американской художницы Аники Йи&lt;/a&gt; в Турбинном зале «Тейта Модерн». Чтобы облегчить себе процесс написания текста, я сгруппировал все свои мысли-мыслишки в три списка: рифмы на робототехническую инсталляцию Аники Йи, мои суждения по поводу этой работы и ярлыки (короткие суждения). Суждения поделены на три типа — положительные, отрицательные и смешанные.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align=&quot;center&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEhlkhY9h3MwaHQ04p4v7ZgAPOzRs39AL_H6Fg6xxEmBnVJV6P-Hsg-fFALIfsU6EzX5IaT0HO7ugyPJIdUN_jseHsi3GrFidu83vWMB1ytajzlMiIigxk8_4gf59kJeVc0cWcDJk65c-Z5xFzH0qkNaPXvoIBoKjYBGCNdhR-oULdkhFStdXm8XVWGC=s1493&quot; target=&quot;_self&quot; title=&quot;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021 © Anicka Yi&quot;&gt;&lt;img src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEhlkhY9h3MwaHQ04p4v7ZgAPOzRs39AL_H6Fg6xxEmBnVJV6P-Hsg-fFALIfsU6EzX5IaT0HO7ugyPJIdUN_jseHsi3GrFidu83vWMB1ytajzlMiIigxk8_4gf59kJeVc0cWcDJk65c-Z5xFzH0qkNaPXvoIBoKjYBGCNdhR-oULdkhFStdXm8XVWGC=s1493&quot; alt=&quot;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021 © Anicka Yi&quot; align=&quot;middle&quot; border=&quot;0&quot; hspace=&quot;0&quot; vspace=&quot;10&quot; width=&quot;612&quot; height=&quot;459&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;font style=&quot;font-size: 80%&quot;&gt;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEi7YQm-dZKEzpbn0QPWYHDjxQUAPM1hAOX0484VlzkiJyLqXpyBjg68Cf-7JR_J4_mCI4FwvmGmFVKuhsfRYId-ik_QiaKfhQWsqcZSb78IbRbc3MsghzFTCB2zeoLJTCodOzaJ6JWbESelr16oylhaov8PRkoThkkCAUBh6RZlKOVg9E4cFCWR7qfy=s897&quot; target=&quot;_self&quot; title=&quot;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021 © Anicka Yi&quot;&gt;&lt;img src=&quot;https://blogger.googleusercontent.com/img/a/AVvXsEi7YQm-dZKEzpbn0QPWYHDjxQUAPM1hAOX0484VlzkiJyLqXpyBjg68Cf-7JR_J4_mCI4FwvmGmFVKuhsfRYId-ik_QiaKfhQWsqcZSb78IbRbc3MsghzFTCB2zeoLJTCodOzaJ6JWbESelr16oylhaov8PRkoThkkCAUBh6RZlKOVg9E4cFCWR7qfy=s897&quot; alt=&quot;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021 © Anicka Yi&quot; align=&quot;middle&quot; border=&quot;0&quot; hspace=&quot;0&quot; vspace=&quot;10&quot; width=&quot;612&quot; height=&quot;459&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;font style=&quot;font-size: 80%&quot;&gt;Anicka Yi, “In Love With The World”, installation view at the Turbine Hall, Tate Modern, 2021&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://toiida.dreamwidth.org/1093739.html#cutid1&quot;&gt;видео и две фотографии&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;Ярлыки и эпитеты&lt;br /&gt;&lt;br /&gt;кинетическая инсталляция • сайнс-арт • экофеминизм • биоморфизм • робототехника • авионика • наивный футуризм • ретроретрофутуризм • гоблинкор-эстетика • хонтологическая пустота • аромафолк-хистори • аромафолк • амбициозное пустословие • заранее устарелое&lt;/ol&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___2&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://toiida.dreamwidth.org/1093739.html#cutid2&quot;&gt;Четырнадцать рифм; суждения&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___2&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=toiida&amp;ditemid=1093739&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://toiida.dreamwidth.org/1093739.html</comments>
  <category>installation</category>
  <category>alien images</category>
  <category>commented</category>
  <category>comparisons</category>
  <category>landscape</category>
  <category>nakhova</category>
  <category>recollections</category>
  <category>texts</category>
  <category>contemporary art</category>
  <category>artists</category>
  <category>feminist art</category>
  <category>video</category>
  <category>not soviet</category>
  <category>press</category>
  <category>garage</category>
  <category>not private</category>
  <category>tate modern</category>
  <category>no serials</category>
  <category>not erotic</category>
  <category>exhibitions</category>
  <category>yi</category>
  <category>museums</category>
  <category>with current music</category>
  <category>not videojournal</category>
  <category>books</category>
  <category>sci-fine</category>
  <category>smells</category>
  <category>ai</category>
  <lj:music>Hotel Kali, “Calm”/“Storm” (Antime, 2021)</lj:music>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://toiida.dreamwidth.org/1061925.html</guid>
  <pubDate>Wed, 13 May 2020 13:48:34 GMT</pubDate>
  <title>пейзаж Норберта Швонтковски</title>
  <link>https://toiida.dreamwidth.org/1061925.html</link>
  <description>&lt;br&gt;&lt;div align=&quot;center&quot;&gt;&lt;a href=&quot;https://3.bp.blogspot.com/-wDIA0d9WGU4/W4z8ya54rpI/AAAAAAAABsc/UbObvbXfh_wHXDON82jlQ-5eU8rurE-6ACLcBGAs/s1600/Norbert%2BSchwontkowski-2006-Sud-China.jpg&quot; target=&quot;_self&quot; title=&quot;Norbert Schwontkowski, “Süd-China”, 2006 © Norbert Schwontkowski&quot;&gt;&lt;img src=&quot;https://3.bp.blogspot.com/-wDIA0d9WGU4/W4z8ya54rpI/AAAAAAAABsc/UbObvbXfh_wHXDON82jlQ-5eU8rurE-6ACLcBGAs/s1600/Norbert%2BSchwontkowski-2006-Sud-China.jpg&quot; border=&quot;0&quot; width=&quot;645&quot; height=&quot;515&quot; alt=&quot;Norbert Schwontkowski, “Süd-China”, 2006 © Norbert Schwontkowski&quot;&gt;&lt;/a&gt;&lt;br&gt;Norbert Schwontkowski, “Süd-China”, 2006, oil on canvas, 40 × 50 cm&lt;/div&gt;&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=toiida&amp;ditemid=1061925&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://toiida.dreamwidth.org/1061925.html</comments>
  <category>landscape</category>
  <category>no serials</category>
  <category>alien images</category>
  <category>not erotic</category>
  <category>artists</category>
  <category>contemporary art</category>
  <category>china</category>
  <category>not videojournal</category>
  <category>with current music</category>
  <category>painting</category>
  <category>not private</category>
  <category>no comment</category>
  <category>not soviet</category>
  <lj:music>Paul Plut, “Klatsch” (Phonotron, 2017)</lj:music>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://toiida.dreamwidth.org/1061021.html</guid>
  <pubDate>Sat, 25 Apr 2020 14:02:56 GMT</pubDate>
  <title>Фотография из последнего твита Le Truk</title>
  <link>https://toiida.dreamwidth.org/1061021.html</link>
  <description>&lt;br&gt;&lt;div align=&quot;center&quot;&gt;&lt;a name=&quot;helmet&quot; target=&quot;_self&quot; title=&quot;&quot;&gt;&lt;img src=&quot;https://1.bp.blogspot.com/-Rlk09yspjks/XqQ3skQ0SWI/AAAAAAAADEg/H8n-EoWVAcgrIVg52umElEhY97qri7nQwCLcBGAsYHQ/s1600/helmet.gif&quot; alt=&quot;&quot; border=&quot;0&quot; width=&quot;400&quot; height=&quot;400&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://twitter.com/detslakaletruk/status/1091734840976773121&quot; target=&quot;_self&quot; title=&quot;Кирилл Толмацкий (Le Truk), «Пермь — Ижевск. Живописные пейзажи России...», 2 февраля 2019 г. © наследники Кирилла Толмацкого&quot;&gt;&lt;img src=&quot;https://1.bp.blogspot.com/-xc53T564ew0/XqQ354saUaI/AAAAAAAADEk/2bFoggptEOE9djly1dqczx_D56AIgcKXACEwYBhgL/s1600/letruk-2019-perm-izhevsk-picturesque-landscapes-of-russia.jpg&quot; alt=&quot;Кирилл Толмацкий (Le Truk), «Пермь — Ижевск. Живописные пейзажи России...», 2 февраля 2019 г. © наследники Кирилла Толмацкого&quot; border=&quot;0&quot; width=&quot;770&quot; height=&quot;433&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;b&gt;Кирилл Толмацкий&lt;/b&gt; (Le Truk), «Пермь — Ижевск. Живописные пейзажи России...», 2 февраля 2019 г.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Фотография из последнего твита Le Truk. Говорят, на фотографии изображён борщевик (но это лучше уточнить у какого-нибудь ботаника или у &lt;a href=&quot;http://freedomsucks.livejournal.com/profile&quot; target=&quot;_self&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;http://www.livejournal.com/img/userinfo.gif&quot; align=&quot;absmiddle&quot; width=&quot;15&quot; height=&quot;15&quot;&gt;&lt;/a&gt;&lt;b&gt;&lt;a href=&quot;http://freedomsucks.livejournal.com&quot; target=&quot;_self&quot; title=&quot;freedomsucks&quot;&gt;Алексея Булдакова&lt;/a&gt;&lt;/b&gt; &lt;nobr&gt;— &lt;a href=&quot;https://artfacts.net/artist/aleksey-buldakov/84333&quot; target=&quot;_self&quot; title=&quot;ArtFacts: Aleksey Buldakov’s rating&quot;&gt;14&amp;nbsp;455&amp;uarr;&lt;/a&gt;&lt;/nobr&gt;).&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=toiida&amp;ditemid=1061021&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://toiida.dreamwidth.org/1061021.html</comments>
  <category>no serials</category>
  <category>alien images</category>
  <category>not erotic</category>
  <category>hats</category>
  <category>provmyza</category>
  <category>comparisons</category>
  <category>landscape</category>
  <category>not videojournal</category>
  <category>winter</category>
  <category>death</category>
  <category>forms</category>
  <category>photography</category>
  <category>anime gifs</category>
  <category>b&amp;w</category>
  <category>white</category>
  <category>celebs</category>
  <category>pop music</category>
  <category>not private</category>
  <category>snow</category>
  <category>no comment</category>
  <lj:music>Kelela, “Hallucinogen” (Warp, 2015)</lj:music>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>https://toiida.dreamwidth.org/1032803.html</guid>
  <pubDate>Sun, 14 Apr 2019 08:17:53 GMT</pubDate>
  <title>Пак Чхан-кьон, лесные процессии</title>
  <link>https://toiida.dreamwidth.org/1032803.html</link>
  <description>&lt;br&gt;Не смог найти в сети видео Пака Чхан-кьона «Гражданский лес», видел только &lt;a href=&quot;https://vimeo.com/216970184&quot; target=&quot;_self&quot; title=&quot;Тизер к выставке Пака Чхан-кьона «Проводы», 2017 год, продолжительностью 23 секунды&quot;&gt;секунд пятнадцать&lt;/a&gt;. Но мне приглянулись фотографии (не кадры) со съёмок этой узкой, длинной-длинной чёрно-белой трёхканальной видеоинсталляции — фотографии, которые, скорее всего, выглядят выигрышнее самого видео:&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align=&quot;center&quot;&gt;&lt;a href=&quot;https://1.bp.blogspot.com/-iL86lSXVrSE/XLLJ33aLBaI/AAAAAAAACFk/nXTIlnIHRh8LNayBxi7bNl1jiKqW_VqKACLcBGAs/s1600/Park%2BChan-kyong%2B-%2BCitizen%2527s%2BForest%252C%2B2016%2B__%2B01.jpg&quot; target=&quot;_self&quot; title=&quot;Park Chan-kyong, “Citizen’s Forest”, 2016 © Park Chan-kyong&quot;&gt;&lt;img src=&quot;https://1.bp.blogspot.com/-iL86lSXVrSE/XLLJ33aLBaI/AAAAAAAACFk/nXTIlnIHRh8LNayBxi7bNl1jiKqW_VqKACLcBGAs/s1600/Park%2BChan-kyong%2B-%2BCitizen%2527s%2BForest%252C%2B2016%2B__%2B01.jpg&quot; border=&quot;0&quot; width=&quot;690&quot; height=&quot;460&quot; alt=&quot;Park Chan-kyong, “Citizen’s Forest”, 2016 © Park Chan-kyong&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class=&quot;cut-wrapper&quot;&gt;&lt;span style=&quot;display: none;&quot; id=&quot;span-cuttag___1&quot; class=&quot;cuttag&quot;&gt;&lt;/span&gt;&lt;b class=&quot;cut-open&quot;&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class=&quot;cut-text&quot;&gt;&lt;a href=&quot;https://toiida.dreamwidth.org/1032803.html#cutid1&quot;&gt;две фотографии спрятаны&lt;/a&gt;&lt;/b&gt;&lt;b class=&quot;cut-close&quot;&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style=&quot;display: none;&quot; id=&quot;div-cuttag___1&quot; aria-live=&quot;assertive&quot;&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://4.bp.blogspot.com/-tfgfdY0Rz5o/XLLJ5LXUHlI/AAAAAAAACFs/WXwPRCmGpK84pjK8WtzqkDcH8x9iUZnJACLcBGAs/s1600/Park%2BChan-kyong%2B-%2BCitizen%2527s%2BForest%252C%2B2016%2B__%2B04.jpg&quot; target=&quot;_self&quot; title=&quot;Park Chan-kyong, “Citizen’s Forest”, 2016 © Park Chan-kyong&quot;&gt;&lt;img src=&quot;https://4.bp.blogspot.com/-tfgfdY0Rz5o/XLLJ5LXUHlI/AAAAAAAACFs/WXwPRCmGpK84pjK8WtzqkDcH8x9iUZnJACLcBGAs/s1600/Park%2BChan-kyong%2B-%2BCitizen%2527s%2BForest%252C%2B2016%2B__%2B04.jpg&quot; border=&quot;0&quot; width=&quot;690&quot; height=&quot;460&quot; alt=&quot;Park Chan-kyong, “Citizen’s Forest”, 2016 © Park Chan-kyong&quot;&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Другой фильм Пака Чхан-кьона «&lt;a href=&quot;https://vimeo.com/114758502&quot; target=&quot;_self&quot; title=&quot;Минутный тизер к фильму&quot;&gt;Anyang, Paradise City&lt;/a&gt;» московский зритель мог увидеть на &lt;a href=&quot;http://6th.moscowbiennale.ru/participants/86&quot; target=&quot;_self&quot;&gt;6-й Московской биеннале&lt;/a&gt; в 2015 году (я не видел).&lt;br&gt;&lt;br&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src=&quot;https://www.dreamwidth.org/tools/commentcount?user=toiida&amp;ditemid=1032803&quot; width=&quot;30&quot; height=&quot;12&quot; alt=&quot;comment count unavailable&quot; style=&quot;vertical-align: middle;&quot;/&gt; comments</description>
  <comments>https://toiida.dreamwidth.org/1032803.html</comments>
  <category>festivals</category>
  <category>erotic</category>
  <category>queer art</category>
  <category>biennale</category>
  <category>moscow biennale</category>
  <category>gatherings</category>
  <category>gay</category>
  <category>video art</category>
  <category>not private</category>
  <category>no comment</category>
  <category>no serials</category>
  <category>exhibitions</category>
  <category>landscape</category>
  <category>with current music</category>
  <category>masks</category>
  <category>texts</category>
  <category>contemporary art</category>
  <category>not videojournal</category>
  <category>films</category>
  <category>artists</category>
  <category>photography</category>
  <lj:music>Little Simz featuring Cleo Sol, “Selfish” (Age 101, 2019)</lj:music>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
</channel>
</rss>
